Brice Swieton has been a gunmaker at John Rigby & Company since 2014 and, over the past decade, has become a pivotal part of the modern Rigby workshop. In this Campfire blog, Brice talks us through the thinking, design and craftsmanship behind Rigby’s first side lever .275 press-release rifle – a project that blends heritage, curiosity and innovation.
What first inspired the idea of a side lever .275?
The idea goes back several years. We had a lovely vintage Rigby rising bite chambered in .303 British, and what really stood out to me was the side lever system. The lines and proportions of the action were extremely elegant, and it stayed in the back of my mind as something that could work beautifully in a modern context.
I felt there might be clients who would appreciate that option, something a little different from our usual large-calibre big game rifles, but still entirely in keeping with Rigby’s design language and heritage.
Why was the .275 the right calibre for this rifle?
The project was originally conceived around the 7x57R, a rimmed cartridge that lends itself very naturally to this style of action. From a gunmaking perspective, it would have been the most straightforward and traditional choice.
However, during discussions with Marc, we decided to pursue the .275 Rigby instead. While rimless cartridges introduce additional complexity in a rifle of this type, the .275’s historical importance to Rigby made it a great choice. It allowed us to stay closely aligned with the company’s heritage, even if it meant a more demanding build process.
We still offer the rifle in 7x57R, which remains an excellent option, but the .275 version represents a conscious decision to balance tradition, challenge and historical significance.
How did the design process begin?
To start the project properly, I had to learn 3D modelling. That was essential for developing the action and understanding how all the components would come together before any metal was cut. It turned out to be incredibly useful, not just for this rifle, but for a number of other projects since. It’s a good example of how modern tools can support traditional gunmaking when they’re used with care and purpose.
Who was involved in building the rifle?
As with all the rifles we craft here at Rigby, it was very much a collaborative effort. The machining was carried out by Philipsons & Co. and Aform, with tubes supplied by Arthur Smith and assembled by Bill Blacker. I carried out the actioning, metalwork and finishing myself, and it was then stocked and oil-finished by our in-house double rifle stocker, Martin Levis. For me, that collective expertise is a huge part of what makes British gun making special.
Can you tell us about the engraving?
The deep cut stippled engraving pattern is what we call the St James scroll. It’s a classic, understated style that suits some of our vintage styles of rifle very well. This particular rifle was made as part of a matched set for one of our most valued clients, and the engraving was carried out by Nigel Westaway. It adds character and depth without overpowering the rifle, which is always the aim.
What does this rifle represent to you personally?
For me, it represents continuity. It’s inspired by a historic Rigby design, built using both traditional skills and modern techniques, and completed by craftsmen who take a great deal of pride in their work.
It’s not about departing from tradition, but about allowing it to evolve naturally, which is something Rigby does so well. I’m proud to have been part of this project.
John Rigby’s doubles are widely recognized for a distinct, unmistakable design language that blends ballistic performance with artistic elegance. No aesthetic decision is made lightly and no design element is arrived by accident.
The new side pedal .275 is an exemplary example.
Doug