Rigby Art was launched in 2019 to promote Rigby artists and hunting artists from around the globe. It’s headed up by in-house engraver and artist Geoffrey Lignon, who reveals the origins, growth and aims of the project.
Geoffrey, can you share the inspiration and vision behind the launch of Rigby Art?
While deeply engrossed in engraving, I sought another outlet for my creativity and began to draw. I shared two of my drawings with Rigby’s managing director, Marc Newton and that ignited the idea of creating an art department.
Rigby Art has grown to include nine talented artists. How did this growth come about?
It began with myself and my colleague Saija Koskialho, each contributing our unique artistic styles. We crafted animal stamp prints based on engraved plates, and the immediate popularity motivated us to continue.
When Jenna Gearing joined, her limited-edition sculpture of Jim Corbett opened doors to Safari Club International, where the hunter’s enduring popularity captured the interest of art enthusiasts and hunting connoisseurs.
Justin Prigmore’s arrival was a turning point as he brought not only his award-winning art, but also valuable promotional skills. He excels in sales and communication, and we are grateful to have him on our team.
What sort of unique perspectives do the other artists bring?
Our artists are chosen for their diverse perspectives and contributions to our collective body of work. While not all of them actively hunt, they all share a deep appreciation for the importance of hunting which enables them to connect with Rigby customers on a personal level.
You specialise in drawing African animals. What draws you to these subjects?
From a young age I was captivated by Africa’s allure and iconic wildlife. I have vivid childhood memories of sketching elephants and rhinos, a fascination nurtured by watching documentaries on National Geographic and hunting channels. I’ve visited Africa multiple times, and Namibia has captured my heart. Recently I fulfilled my dream of hunting a formidable Cape buffalo in Zimbabwe with Tanya Blake Safaris.
How is Rigby Art preserving the company’s heritage?
We’re involving artists who are either hunters themselves or who understand its importance, thereby safeguarding the timeless legacy of hunting. When customers acquire Rigby Art, they become custodians of this legacy.
John Rigby himself was known for his innovation and drive. How do you mirror this sentiment with Rigby Art?
The artists’ work reflects the same constant pursuit of improvement and evolution. When I began my journey at Rigby, I applied conventional techniques, but over the past decade, my style and approach have evolved.
How did you evolve your techniques?
My artistic evolution stems from a willingness to experiment and discover new techniques. For my artwork, the process involves meticulously selecting emotionally resonant photographs, securing permissions and then working whenever inspiration strikes.
What about your technique for creating the artwork?
My unique technique involves using a black board, a black pencil, a white pencil and three different sized gel pens for animal drawings. This unconventional approach allows me to achieve desired textural effects. I experimented with various pens, pencils, and markers, ultimately finding the effect I wanted.
Where does the Rigby Art team draw their inspiration from?
The inspiration for our artists is rooted in their passion for hunting and the natural world. Artists are drawn to various aspects of nature – some connect with the beauty and majesty of animals; others showcase their role in intricate ecosystems. Some artists are inspired by the harsh realities of nature, like the relentless struggle for survival and raw battles.
Can you share with us any anecdotes from Rigby Art buyers about how they’ve engaged with your art and any feedback you’ve received?
I recently worked on an elephant commission that took nine months to complete. When I’d completed the first section, the client was so moved it nearly brought her to tears. When she saw the finished piece, she was even more emotional. Connecting with people on a deep level is the highest compliment an artist can receive.
Where do you envision taking Rigby Art in the future?
We’re focused on recruiting new artists and establishing Rigby Art as a leading name in the world of hunting art. We want to mirror Rigby’s successful return to the UK over the past decade. In the new Rigby building, Marc is planning not only a gun showroom but also a gallery space which we hope will be well-known in the world of hunting art.
How can someone get in touch if they wish to commission a piece?
If someone wishes to commission a piece, they can reach out through the contact details available here. I’ll be more than happy to connect them with the appropriate person to help bring their artistic vision to life.
